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Assoc. Professor Shundana Yusaf Received Prestigious Clark Institute Fellowship

The University of Utah SoA Associate Professor Shundana Yusaf has been selected for a Clark Fellowship for the 2022/2023 academic year. She will be the Kaleta A. Doolin Foundation Fellow in residence at the Clark Art Institute in Williamstown, Massachusetts in the Spring and Summer of 2023.

Clark Fellowship is a distinction that since 1997 has been held by many distinguished art historians, critics, and museum professionals. During her residency, Shundana will complete the manuscript of her current book, Resonant Tomb: A Feminist History of Sufi Shrines in Pakistan. The book is a study of the architecture of Sufi shrines as listening devices for devotional poetry, dance, drumming, singing, meditational breathing, and other rituals of an audition. It describes the role of women in the history of Sufi shrines and the role of Sufi shrines in the history of women. The 9 case studies triangulate material culture, sensory studies, and women’s histories to describe the terms on which successive generations of women have bent the foundational logic of this building typology to serve as the space of their self-fashioning and self-narration.

Art historians have studied Sufi tombs in Pakistan for aesthetic influences, symbolism, and legitimation of top-down power. Shundana’s work has a different intellectual agenda. It is interested in studying their built environment to elicit histories from below – of gendered bodies, and of female keepers of the oral tradition. It frames the performative acts of singing, praying, and dancing as devices for activating and rebuilding the material fabric of shrines. They reveal buildings not as one-time creative outputs of primary architects but as living phenomena, remade by secondary architects, women among them. The book is divided into five chapters with chapter length introduction and conclusion. Together they show that every act of use or consumption of architecture is also an act of its reproduction. Shundana’s use of sensory history frames shrines, not as products of top-down power but as negotiations, in which female devotees had strategic leverage.

She will give a public lecture and host a seminar on her work at Clark Art Institute on April 18-19, 2023. Her public lecture is entitled, “Bibi Raasti: Building Feminist Space with Sound Material.”


A ringing dome at the entrance of the shrine of Bibi Raasti, a 13th-century Sufi saint, buried in Multan, Pakistan.


16th and 17th-century Mughal paintings display the role of singing and other auditory practices by women at Sufi shrines.


Conducting fieldwork and sound recording in Kalar Kahar and Bhit Shah.


Water pitchers rang by pastoral women for 780 years at a peak sanctuary in Kalar Kahar.


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